Try to make things that can become better in other people’s minds than they were in yours.
BRIAN ENOI’m very good with technology, I always have been, and with machines in general. They seem not threatening like other people find them, but a source of fun and amusement.
More Brian Eno Quotes
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I wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away.
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I love the sort of ambivalence of this, the ambiguity of something – being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
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Every collaboration helps you grow.
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My guitar only has five strings ’cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there.
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I often work by avoidance.
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Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing – ‘Oh, let’s put that sentence there, let’s get rid of this’ – have become commonplace in films and music too.
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You know that in order to copyright material somebody has to write it down for you. Any piece of recorded material has to be scored in order for it to be copyrighted.
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The problem with computers is that there is not enough Africa in them.
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Put out as much as you can. It doesn’t do anything sitting on a shelf.
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I hate the rock music tradition. I can’t bear it!
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At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.
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When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn’t expected or predicted by what I supplied.
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I wanted to get rid of the element that had been considered essential in pop music: the voice.
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With all fashion, what we do is play at being somebody else. We play at inhabiting another kind of world.
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I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
BRIAN ENO