A part of me has become immortal, out of my control.
BRIAN ENOI’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
More Brian Eno Quotes
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There’s a kind of edge to what you’re doing, the kind of leading edge of what you’re doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. “I’ve pulled that one out before. Oh, no, I can’t I’m just fed up with that.
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Quite often, and in fact more often, I would say, I’m struggling all the way through to think, “What is it I like about this? What is the personality of this thing I’m hearing that I like so much?”
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I think that there’s something that I still like about the fact of a package, like the latest report from somebody. “Okay, this is what they’re up to now; this is what they’re doing; who’s working with them?
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Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.
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The Marshall guitar amplifier doesn’t just get louder when you turn it up. It distorts the sound to produce a whole range of new harmonics, effectively turning a plucked string instrument into a bowed one.
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When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they’re not obvious at the time. So, when I look back at my own work.
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I hate talking about music, to tell you the truth.
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It’s easy to forget that your best work is done when your attention is fully engaged.
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Avant-garde music is sort of research music. You’re glad someone’s done it but you don’t necessarily want to listen to it.
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People always focus on people like me who use synthesizers, right, which are explicitly electronic and therefore obvious.
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The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
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I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
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I thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.
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You don’t have to act as if you know what you’re doing
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If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
BRIAN ENO