In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
BRIAN ENOA responsible designer might try to overcome this limitation – probably the engineers at Marshall tried, too. But that sound became the sound of, among others, Jimi Hendrix. That sound is called electric guitar.
More Brian Eno Quotes
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I want to rethink surrender as an active verb.
BRIAN ENO -
Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing – ‘Oh, let’s put that sentence there, let’s get rid of this’ – have become commonplace in films and music too.
BRIAN ENO -
The vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
BRIAN ENO -
Admirers can be a tremendous force for conservatism.
BRIAN ENO -
Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
BRIAN ENO -
Avant-garde music is sort of research music. You’re glad someone’s done it but you don’t necessarily want to listen to it.
BRIAN ENO -
People do dismiss ambient music, don’t they? They call it ‘easy listening,’ as if to suggest that it should be hard to listen to.
BRIAN ENO -
American television really is pathetic.
BRIAN ENO -
The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
BRIAN ENO -
You don’t have to act as if you know what you’re doing
BRIAN ENO -
What matters in modern music is not the part you can write down, the words and the tune, but the rest – the texture, the atmosphere, the references and associations.
BRIAN ENO -
The Marshall guitar amplifier doesn’t just get louder when you turn it up. It distorts the sound to produce a whole range of new harmonics, effectively turning a plucked string instrument into a bowed one.
BRIAN ENO -
The philosophical idea that there are no more distances, that we are all just one world, that we are all brothers, is such a drag! I like differences.
BRIAN ENO -
There’s a kind of edge to what you’re doing, the kind of leading edge of what you’re doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. “I’ve pulled that one out before. Oh, no, I can’t I’m just fed up with that.
BRIAN ENO -
I hate the rock music tradition. I can’t bear it!
BRIAN ENO







