What matters in modern music is not the part you can write down, the words and the tune, but the rest – the texture, the atmosphere, the references and associations.
BRIAN ENOPeople do dismiss ambient music, don’t they? They call it ‘easy listening,’ as if to suggest that it should be hard to listen to.
More Brian Eno Quotes
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The tools are evolving, and people’s interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness.
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I’ve noticed a terrible thing, which is I will agree to anything if it’s far enough in the future.
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I think the idea that people walk around to music is very interesting. They are actually creating the soundtrack to their lives as they walk around to it.
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The reason I don’t tour is that I don’t know how to front a band. What would I do? I can’t really play anything well enough to deal with that situation.
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So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
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Lyrics are always misleading because they make people think that that’s what the music is about.
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People who are very confident in themselves aren’t hurt by criticism. They make use of it.
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Law is always better than war.
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I think that there’s something that I still like about the fact of a package, like the latest report from somebody. “Okay, this is what they’re up to now; this is what they’re doing; who’s working with them?
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I hate the way CDs just drone on for bloody hours and you stop caring.
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With all fashion, what we do is play at being somebody else. We play at inhabiting another kind of world.
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The time I like listening to music most on headphones is, I have a game I play with my brother, he’s a musician as well.And he sends me MIDI files of keyboard pieces. So, these are pieces where I just get a MIDI file.
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Cultural objects have no notable identity outside of that which we confer upon them. Their value is entirely a product of the interaction that we have with them.
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Saying that cultural objects have value is like saying that telephones have conversations.
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Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better.
BRIAN ENO