In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
BRIAN ENOWe’re going through this super-uptight era, which I think comes entirely from literacy, actually. It’s the result of machines that were designed as word processors being used for making music.
More Brian Eno Quotes
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Music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones or point up certain others.
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Everybody is entertained to death.
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We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That’s occasionally what happens.
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I can see the use and value of religion, just as I can see the use of mud wrestling, yoga, astronomy and sadomasochism. but I reject the idea that you can’t be a deep human being without it or any of them.
BRIAN ENO -
The texture suggests some kind of mood, and the mood suggests some kind of lyric. That’s like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
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Admirers can be a tremendous force for conservatism.
BRIAN ENO -
My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
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Once you’ve grown to accept something and it becomes part of the system you’ve inherited, you don’t even notice it any longer.
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I think we’re about ready for a new feeling to enter music. I think that will come from the Arabic world.
BRIAN ENO -
Lyrics are always misleading because they make people think that that’s what the music is about.
BRIAN ENO -
I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it – like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music.
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As soon as you externalize an idea you see facets of it that weren’t clear when it was just floating around in your head.
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Of course, like anybody I repeat myself endlessly, but I don’t know that I’m doing it, usually.
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I do sometimes look back at things I’ve written in the past, and think, ‘I just don’t remember being the person who wrote that.’
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The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture.
BRIAN ENO







