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In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.

Brian Eno

The most important thing in a piece of music is to seduce people to the point where they start searching.
BRIAN ENO

Important People Pieces Searching
We’re going through this super-uptight era, which I think comes entirely from literacy, actually. It’s the result of machines that were designed as word processors being used for making music.
BRIAN ENO

Designed Machines Thinking Uptight
I love the sort of ambivalence of this, the ambiguity of something – being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
BRIAN ENO

Mexican Nice Track
Sometimes they’re of my own creation, as well – and they’re just as annoying. It’s not only other people’s ear worms that bug me, it’s my own, as well.
BRIAN ENO

Annoying Creation Sometimes Well
The idea that something is uncool because it’s old or foreign has left the collective consciousness.
BRIAN ENO

Consciousness Ideas Uncool
In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
BRIAN ENO

People Song Track
I don’t want to do free jazz! Because free jazz – which is the musical equivalent of free marketeering – isn’t actually free at all. It’s just constrained by what your muscles can do.
BRIAN ENO

Free Jazz Musical Want
If I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
BRIAN ENO

Fabulous Sound Use
One of the great breakthroughs of evolution theory is that you start with simple things and they will grow into complexity.
BRIAN ENO

Evolution Simple Theory
I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
BRIAN ENO

Function Trouble Views
It’s nice, I think, when people use your music for things you didn’t think of.
BRIAN ENO

Nice People Thinking
I think that there’s something that I still like about the fact of a package, like the latest report from somebody. “Okay, this is what they’re up to now; this is what they’re doing; who’s working with them?
BRIAN ENO

Facts Okay Thinking
The muscles are there simply to serve the head. But that isn’t how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They’re using their whole body to make music, in fact.
BRIAN ENO

Body Muscles Players Traditional Use Whole
It infuriates me that stuff from the Internet routinely doesn’t include all the credits. Because as soon as I listen to something, if I like it, I want to know, “Who’s the bass player?” “Who did that?” “Who’s the engineer on this?
BRIAN ENO

Bass Credit Engineer Player
At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.
BRIAN ENO

Ambition Art Painting
When people censor themselves they’re just as likely to get rid of the good bits as the bad bits.
BRIAN ENO

Bits Longer Notice People Something

In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.

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In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.

Related Topics

Popular Authors

More Brian Eno Quotes