Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.
BRIAN ENOWhat I would really like to do, if I could have a sort of kingship for a short time and organize the group of my dreams.
More Brian Eno Quotes
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As struggles go, being an artist isn’t that much of one.
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In my normal life I’m a very unadventurous person.
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When I went back to England after a year away, the country seemed stuck, dozing in a fairy tale, stifled by the weight of tradition.
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The most important thing in a piece of music is to seduce people to the point where they start searching.
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The thing that obsesses me more than anything is waste – the waste of human intelligence and creativity.
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The seven white notes on the piano – each section of the piece (there are 12 sections) is five of those seven white notes.
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You know that in order to copyright material somebody has to write it down for you. Any piece of recorded material has to be scored in order for it to be copyrighted.
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Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
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One of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn’t if you knew better.
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I’ve got a feeling that music might not be the most interesting place to be in the world of things.
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I think the other thing that’s important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time.
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If you grow up in a very strong religion like Catholicism you certainly cultivate in yourself a certain taste for the intensity of ideas.
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Not many people bought Velvet Underground LPs, but those who did, started a band.
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When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape.
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For the world to be interesting, you have to be manipulating it all the time.
BRIAN ENO