I’m not interested in possible complexities. I regard song structure as a graph paper.
BRIAN ENOThe texture suggests some kind of mood, and the mood suggests some kind of lyric. That’s like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
More Brian Eno Quotes
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Because if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.
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The artists of the past who impressed me were the ones who really focused their work.
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There are certain sounds that I’ve found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
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The thing that obsesses me more than anything is waste – the waste of human intelligence and creativity.
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Of course, like anybody I repeat myself endlessly, but I don’t know that I’m doing it, usually.
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The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture.
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For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
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I believe that singing is the key to long life, a good figure, a stable temperament, increased intelligence, new friends, super self-confidence , heightened sexual attractiveness, and a better sense of humor.
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Think inside the work – outside the work
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Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
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If I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
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When I’ve finally got the title, I think, “Okay, yes, now I know where we are. Now I know what it is. Fine, that must be finished or nearly finished.
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For the world to be interesting, you have to be manipulating it all the time.
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Anything popular is populist, and populist is rarely a good adjective.
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I think the other thing that’s important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time.
BRIAN ENO