People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
BRIAN ENOI don’t want to do free jazz! Because free jazz – which is the musical equivalent of free marketeering – isn’t actually free at all. It’s just constrained by what your muscles can do.
More Brian Eno Quotes
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My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
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The artists of the past who impressed me were the ones who really focused their work.
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So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
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The reason I don’t tour is that I don’t know how to front a band. What would I do? I can’t really play anything well enough to deal with that situation.
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Being completely free to choose what to do is actually quite difficult
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The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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Given the chance, i’ll die like a baby, on some faraway beach, when the season’s over.
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What happens with notation is that it reduces things to a language which isn’t necessarily appropriate to them. In the same way that words do, you get a much cruder version of what was actually intended.
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What matters in modern music is not the part you can write down, the words and the tune, but the rest – the texture, the atmosphere, the references and associations.
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The most important thing is the thing most easily forgotten.
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I suppose I am reluctant about being any sort of ‘star’ and I didn’t particularly want to be portrayed as one.
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Once you’ve grown to accept something and it becomes part of the system you’ve inherited, you don’t even notice it any longer.
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When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn’t expected or predicted by what I supplied.
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One of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn’t if you knew better.
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The most important thing in a piece of music is to seduce people to the point where they start searching.
BRIAN ENO