In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
BRIAN ENOSaying that cultural objects have value is like saying that telephones have conversations.
More Brian Eno Quotes
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The reason I don’t tour is that I don’t know how to front a band. What would I do? I can’t really play anything well enough to deal with that situation.
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I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
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I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
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Everybody is entertained to death.
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I believe in singing.
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Cultural objects have no notable identity outside of that which we confer upon them. Their value is entirely a product of the interaction that we have with them.
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I think we’re about ready for a new feeling to enter music. I think that will come from the Arabic world.
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Make an exhaustive list of everything you might do & do the last thing on the list.
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Every increase in your knowledge is a simultaneous decrease. You learn and you unlearn at the same time. A new certainty is a new doubt as well.
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Think inside the work – outside the work
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Stop thinking about art works as objects, and start thinking about them as triggers for experiences.
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In my normal life I’m a very unadventurous person.
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I wanted to get rid of the element that had been considered essential in pop music: the voice.
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What matters in modern music is not the part you can write down, the words and the tune, but the rest – the texture, the atmosphere, the references and associations.
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There are certain sounds that I’ve found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
BRIAN ENO