Voice acting is about the easiest thing to do. You roll out of bed, throw your clothes on that you had on the night before, you go into the studio, and nobody cares, just as long as you can speak.
BRENT SPINERI did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who’s an illustrious director now, and it starred…
More Brent Spiner Quotes
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My own personal favorite Cher song is the unforgettable Gypsies, Tramps and Thieves.
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It’s fun to do something different. And there are things you can do in a small palate that you can’t necessarily do in a larger role.
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[ Felicia Day] is really figured it all out, and it was impressive. It was nothing like our set, because her set was like working on a real film.
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Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
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Of those, the only one that really stands out for me is Tales From The Darkside, for a couple of reasons, one in particular being who I got to work with on it, which was Eddie Bracken.
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I think I worked an average of about 10 minutes a day [in Big Bang Theory series]. It took longer to get to the studio than I actually worked. So I regard the driving there as the actual job. The work itself was just fun.
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The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young – I think I’m 28 years old in that – and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.
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Im thinking of going into rehab. Im not addicted to anything, but I think its good way to jumpstart an acting career.
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I got Greg Aronowitz, who does [ Felicia Day] sets, to do mine as well, and he’s just amazing. He can work miracles with nothing.
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I’ve gotten some feedback on it from people who’ve seen it and really enjoyed it, but I don’t know.
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They were nicely written and nicely directed episodes [Star Trek: Enterprise]. I enjoyed working with Scott [Bakula]. So it was good to do, and, as you said, it did serve to enhance the Soong legacy.
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I’ve actually only seen it once, and it was in Hawaii, in a little theater in Oahu shortly after it was released. But Roland Emmerich is a really smart guy, and he makes really fun movies to watch.
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[The Aviator] came about through John Logan, who I’ve been friends with for many years.
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One of the things about working on Star Trek that was always so great was that we all got along as well as we did. We really became family.
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There is no question that everybody who works in show business is lucky because of the number of people who wish they where working in show business.
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