I had no idea I was part of what was going to be a big mega-hit. I thought I was doing a B sci-fi movie [Independence Day].
BRENT SPINERThere is no question that everybody who works in show business is lucky because of the number of people who wish they where working in show business.
More Brent Spiner Quotes
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As it turns out, sometimes that bites you. In this case, I saw pictures of Earl [Mills], and…I actually met him. He was quite old at the time, but he had this sort of curly red hair, so we did that in the film. I got a perm and had red hair, and… It was a mess.
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Having spent so much time in a fictional world, I prefer to read about the real world
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I don’t know you could do a whole film about Dr. Okun from Independence Day.
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It’s fun to do something different. And there are things you can do in a small palate that you can’t necessarily do in a larger role.
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Earl Mills is probably the best role I’ve ever been given in a film. And it was a great experience to work with Halle [Berry] and Klaus Maria Brandauer, an Austrian actor who’s a hero of mine.
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I had a really nice time on [Alphas]. It was a bunch of really good actors, and I was particularly thrilled to be working with David Strathairn.
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I got Greg Aronowitz, who does [ Felicia Day] sets, to do mine as well, and he’s just amazing. He can work miracles with nothing.
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Bill Prady and Chuck Lorre, the guys who run that show [Big Bang Theory], are really funny and really smart, and the cast is fantastic to work with.
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The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young – I think I’m 28 years old in that – and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.
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[The Aviator] came about through John Logan, who I’ve been friends with for many years.
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I think the potential for man is so enormous, if we can stay alive long enough, we’re going to be seeing a lot of what Star Trek is projecting.
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I mean, what a man. Someone who’s done Preston Sturges movies, and I actually got to work with him? And he was great.
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I assumed, “Well, I must’ve sounded like Conan O’Brien, or a reasonable facsimile or something.” And there I am in the movie [South Park: Bigger, Longer & Uncut ]. I was very lucky.
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I went to New York out of college, and in my day, we were told that was the way you became a good actor. You don’t go to Hollywood, you go straight to New York and work in the theater. So that’s what most of the people I knew did.
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It was a fabulous experience shooting [in the Aviator], working with Leo [DiCaprio] and Danny Huston in the scene. It was great. I think what was most eye-opening about it was that [Martin] Scorsese was just like any good director you work with.
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I think there is something like 90% unemployment in the Screen Actors Guild, so we are the exception.
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So it was a really pleasant surprise when [Independence Day] turned out to be a successful film. I don’t know if you’ve heard that they’re going to be re-releasing it next Fourth of July in 3-D.
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I think honestly, believe it or not, that Dude, Where’s My Car? in a way represents its time better than almost any film made around that.
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Joey being one of my finest performances ever. Matt LeBlanc’s basically doing the same thing right now, playing himself on Episodes.
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And I’m telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits.
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Needless to say, I was impressed by Felicia [Day] and her moxie with how to do a web series. I mean, she’s the queen of the web.
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Voice acting is about the easiest thing to do. You roll out of bed, throw your clothes on that you had on the night before, you go into the studio, and nobody cares, just as long as you can speak.
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Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
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Generally, I have to be able to get the lines out of my mouth without making a mistake before I go to sleep.
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Pierre [from Dude, Where’s My Car?] could be the best thing I’ve ever done. When you distill it down to a minute and a half of work, that may be my finest effort.
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That was a really interesting series [Threshold ] that I think would’ve been really great had it continued.
BRENT SPINER