Comedy really is my bread and butter, even when I’m doing a serious character, with the exception of Outcast. I have found very little humor in this character.
BRENT SPINERIt’s fun to do something different. And there are things you can do in a small palate that you can’t necessarily do in a larger role.
More Brent Spiner Quotes
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I think I worked an average of about 10 minutes a day [in Big Bang Theory series]. It took longer to get to the studio than I actually worked. So I regard the driving there as the actual job. The work itself was just fun.
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Timing is everything, as you know.
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I think everyone agrees First Contact was our best film, and even at that, they’re kind of… I don’t know, they’re sort of movies. But they’re kind of really Star Trek movies, if you take my meaning. It’s hard for me to say. I was glad to be doing them.
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I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who’s an illustrious director now, and it starred…
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Of those, the only one that really stands out for me is Tales From The Darkside, for a couple of reasons, one in particular being who I got to work with on it, which was Eddie Bracken.
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It was a fabulous experience shooting [in the Aviator], working with Leo [DiCaprio] and Danny Huston in the scene. It was great. I think what was most eye-opening about it was that [Martin] Scorsese was just like any good director you work with.
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I know a guy who writes on the show, it was his episode, and he called and said, “Would you do it?” And I said, “Yeah.” There’s not really much else to tell, except that I was thrilled to be on The Simpsons, because it’s one of the greatest series in the history of television.
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People think that being on Star Trek is career suicide, but it’s really just the opposite
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The one on Fresh Hell is a little easier, because we make it up. It’s a strange kind of hybrid of the real me and… Well, obviously it’s me standing there, and it’s my voice and my face, but it’s also kind of filtered through Harry Hannigan’s take on the character, the one he’s writing.
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In my heart, I’ve never left Brazil.
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Like, she had a caterer, she had wardrobe people, she had two makeup artists… I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable.
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I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].
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And I was, like, “Oh, my God, I can’t believe I’m performing a musical number in front of Donald O’Connor,” who’s one of the greats of the silver screen. But it was a thrilling experience, it really was.
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A job is a job. And I like to work.
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Im thinking of going into rehab. Im not addicted to anything, but I think its good way to jumpstart an acting career.
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Having spent so much time in a fictional world, I prefer to read about the real world
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We would literally grab a shot and run. But Rent Control… I think the total cost was $100,000, and to this director’s credit, I think it looks like $200,000.
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That’s what kids were like then. So I really like the movie [Dude, Where’s My Car? ], I think it’s genuinely funny, and I wish I hadn’t been so arrogant about it. And, of course, I didn’t know it was going to be my best work, either.
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I mean, what a man. Someone who’s done Preston Sturges movies, and I actually got to work with him? And he was great.
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I think honestly, believe it or not, that Dude, Where’s My Car? in a way represents its time better than almost any film made around that.
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I can tell you one other story about Rent Control. The lead actress in the film, her name was Elizabeth Stack, and it turned out she was Robert Stack’s daughter.
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I had a really nice time on [Alphas]. It was a bunch of really good actors, and I was particularly thrilled to be working with David Strathairn.
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As it turns out, sometimes that bites you. In this case, I saw pictures of Earl [Mills], and…I actually met him. He was quite old at the time, but he had this sort of curly red hair, so we did that in the film. I got a perm and had red hair, and… It was a mess.
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Voice acting is about the easiest thing to do. You roll out of bed, throw your clothes on that you had on the night before, you go into the studio, and nobody cares, just as long as you can speak.
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Joey being one of my finest performances ever. Matt LeBlanc’s basically doing the same thing right now, playing himself on Episodes.
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Pierre [from Dude, Where’s My Car?] could be the best thing I’ve ever done. When you distill it down to a minute and a half of work, that may be my finest effort.
BRENT SPINER