I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].
BRENT SPINEROne of the things about working on Star Trek that was always so great was that we all got along as well as we did. We really became family.
More Brent Spiner Quotes
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I love the South Park guys, Trey Parker and Matt Stone. They’re geniuses. I throw that word around a lot, but I really do mean it.
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Generally, I have to be able to get the lines out of my mouth without making a mistake before I go to sleep.
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I’ve toyed with this idea [of Fresh Hell] for a long time. I actually wrote a feature years ago with this sort of concept in mind, and it’s gone through several incarnations, and…
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I’ve gotten some feedback on it from people who’ve seen it and really enjoyed it, but I don’t know.
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And I was, like, “Oh, my God, I can’t believe I’m performing a musical number in front of Donald O’Connor,” who’s one of the greats of the silver screen. But it was a thrilling experience, it really was.
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[ Felicia Day] is really figured it all out, and it was impressive. It was nothing like our set, because her set was like working on a real film.
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That was a really interesting series [Threshold ] that I think would’ve been really great had it continued.
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Bill Prady and Chuck Lorre, the guys who run that show [Big Bang Theory], are really funny and really smart, and the cast is fantastic to work with.
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I actually had some funny dialogue [ in Stardust Memories], a little piece, and we shot all day in this big ballroom.
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I’ve actually only seen it once, and it was in Hawaii, in a little theater in Oahu shortly after it was released. But Roland Emmerich is a really smart guy, and he makes really fun movies to watch.
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Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say “You’re fired” to Diane Lane. That’s about all you see of me.
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I know a guy who writes on the show, it was his episode, and he called and said, “Would you do it?” And I said, “Yeah.” There’s not really much else to tell, except that I was thrilled to be on The Simpsons, because it’s one of the greatest series in the history of television.
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And the basic sort of thrust of Star Trek being about equality and tolerance and things I believe in deeply.
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It wasn’t ’til I met Chris Ellis, who directed me in a little thing that was actually for a ride in Universal Singapore, for those of you who happen to be going to Universal Singapore.
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Im thinking of going into rehab. Im not addicted to anything, but I think its good way to jumpstart an acting career.
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Of those, the only one that really stands out for me is Tales From The Darkside, for a couple of reasons, one in particular being who I got to work with on it, which was Eddie Bracken.
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I don’t know you could do a whole film about Dr. Okun from Independence Day.
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I don’t know what her budget was or is, but she had sponsors for her show, and we don’t have a sponsor yet, so basically, the difference is, our moms make our costumes.
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Having spent so much time in a fictional world, I prefer to read about the real world
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[Martin Scorsese ] basically works just like any other director. You work the scene, you try to find what’s best in it and make it work. That’s what it was like.
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We got to be really good friends [Jack Lemmon and Walter Matthau]. It was just thrilling, every day. Every single day. I had a big couple of musical numbers in [Out to Sea], and I remember doing one of them and shooting it from beginning to end.
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I can tell you one other story about Rent Control. The lead actress in the film, her name was Elizabeth Stack, and it turned out she was Robert Stack’s daughter.
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[Independence Day] was a sweet, sweet job, because it was one of those big surprises.
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Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
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The only problem with that – and she was lovely – was that she was basically hired because [Gian Luigi Polidoro] thought she was [film producer] Ray Stark’s daughter. And he figured that if he ran out of money, her father would kick in some more.
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[The Aviator] came about through John Logan, who I’ve been friends with for many years.
BRENT SPINER