I got a toy keyboard when I was around like five or six.
BRENT FAIYAZI recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.
More Brent Faiyaz Quotes
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I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.
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If I feel like making something, if I feel like saying something on the track, that’s what I am going to do – regardless of reaction.
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I really just wanted to make something special for women. There aren’t enough records uplifting them out there.
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I probably talk to myself more than I talk to anyone.
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People will listen to a song and expect that you just have that persona on all the time. But really, that was your one outlet that one day to get that emotion out. The only difference was you put it on a canvas that’s going to be there forever.
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I think it was ‘The Diary of Alicia Keys’. That was the first time album I ever bought with my own money. I had a little Discman.
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As cliche as it sounds, don’t stop. I feel like so often people will have talent or have potential, and they’ll quit because they don’t get anywhere as soon as they want to.
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Sonder is the realization that every individual passerby has their own life just as vivid and complex as yours.
BRENT FAIYAZ -
In order for people to take what you say seriously, they have to know who you are as a person.
BRENT FAIYAZ -
I recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.
BRENT FAIYAZ -
With the Sonder music, I pull a lot from what’s around me.
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If you tell somebody that you make music they’re all interested. But when you say you rap, they just start rolling their eyes at you. It would’ve taken me a lot longer to get my foot in the door if I’d continued rapping all the way.
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The first couple of times I went out and heard my voice or heard people listening when I wasn’t the one playing it for them, it felt good.
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Me and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we’re from the same area so we have a lot in common.
BRENT FAIYAZ -
Don’t stop until you get where you’re trying to go.
BRENT FAIYAZ