I want to put my soul into the music and still be who I am when it comes to an actual conversation.
BRENT FAIYAZI started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, ‘Bet, now I can focus on writing and singing.’
More Brent Faiyaz Quotes
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I used to think that there was a certain way I had to stick to when it came to R&B, but now I’m saying whatever, the same way these rappers do. I’m bringing that into R&B music.
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If you’re my woman, you’re somebody I give emotions to that I don’t give to nobody else. You’re my safe space. I don’t want my safe space to be compromised.
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I think if you’re an interesting person, you don’t have to cloud yourself in mystery for people to want to know more about you.
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If you can look in the mirror and say I love myself, that’s going to affect your interactions with people who look like you.
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As cliche as it sounds, don’t stop. I feel like so often people will have talent or have potential, and they’ll quit because they don’t get anywhere as soon as they want to.
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I don’t really feel the loyalty to any particular genre. To be completely honest, I’m an R&B singer because I’m black and I sing.
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You work on something for so long that you become numb to it. Like, you don’t even know how to listen to it because you listened to it so many times.
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I want to own my masters. That’s the main thing–owning all my music.
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I’ll listen to certain things that I made back then, and I’m like, ‘I wish I could have done this, I would’ve done that’. When you start out making music, you just want to make something that people will like.
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I really just wanted to make something special for women. There aren’t enough records uplifting them out there.
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I could always sing just playing around, but I ain’t want to be no singer. I thought that was lame.
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I was reading Neil Postman’s ‘Amusing Ourselves to Death’. It’s one of my favourites.
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Me and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we’re from the same area so we have a lot in common.
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The first couple of times I went out and heard my voice or heard people listening when I wasn’t the one playing it for them, it felt good.
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Being old didn’t seem like an accomplishment. Everyone I knew who was old was like sick or broke. It just didn’t look appealing until I moved to L.A. and started interacting with people who were 50+ and still kicking it, having money, living large.
BRENT FAIYAZ