These people who are always briskly doing something and as busy as waltzing mice, they have little, sharp, staccato ideas, such as: “I see where I can make an annual cut of $3.47 in my meat budget.” But they have no slow, big ideas.
BRENDA UELANDI know that we live after death and again and again, not in the memory of our children, or as a mulch for trees and flowers, however poetic that may be, but looking passionately and egocentrically out of our eyes.
More Brenda Ueland Quotes
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They do not know that ideas come slowly, and that the more clear, tranquil and unstimulated you are, the slower the ideas come, but the better they are.
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… when I am really alone some power seems to grow in me. … Conjugality made me think of a three-legged race, where two people cannot go fast and keep tripping each other because their two legs are tied together.
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You have to hold your audience in writing to the very end-much more than in talking, when people have to be polite and listen to you.
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Write a true, careless, slovenly impulsive, honest diary every day of your life.
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Why should we all use our creative power….? Because there is nothing that makes people so generous, joyful, lively, bold and compassionate, so indifferent to fighting and the accumulation of objects and money.
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Know that it is good to work. Work with love and think of liking it when you do it.
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If you would shut your door against the children for an hour a day and say: ‘Mother is working on her five-act tragedy in blank verse!’ you would be surprised how they would respect you. They would probably all become playwrights.
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Science and vivisection make no appeal to a theological idea, much less a political one.
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Since you are like no other being ever created since the beginning of time, you are incomparable.
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The only good teachers for you are those friends who love you, who think you are interesting, or very important, or wonderfully funny.
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Orthodox criticism … is a murderer of talent. And because the most modest and sensitive people are the most talented, having the most imagination and sympathy, these are the first ones to get killed off.
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… the great artists … do not want security, egoistic or materialistic.
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Listening is a magnetic and strange thing, a creative force. When we really listen to people there is an alternating current, and this recharges us so that we never get tired of each other. We are constantly being re-created.
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The best way to know the Truth or Beauty is to try to express it.
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Writing is the action of thinking, just as drawing is the action of seeing and composing music is the action of hearing.
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Advertising companies hire the very brightest, wittiest young people to write for them. Not one single sentence of it is worth repeating. Why? Because it wasn’t meant.
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But the great artists like Michelangelo and Blake and Tolstoi–like Christ whom Blake called an artist because he had one of the most creative imaginations that ever was on earth–do not want security, egoistic or materialistic. Why, it never occurs to them.
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…at last I understood that writing was this: an impulse to share with other people a feeling or truth that I myself had.
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I found that many gifted people are so afraid of writing a poor story that they cannot summon the nerve to write a single sentence for months.
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Families are great murderers of the creative impulsive, particularly husbands.
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And least of all – which is so important, too – to those we do not love. But we should. Because listening is a magnetic and strange thing, a creative force…When we are listened to, it creates us, makes us unfold and expand. Ideas actually begin to grow within us and come to life.
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You Do Not Know Is in You- an Inexhaustible Fountain of Ideas. Another reason for writing a diary is to discover that the ideas in you are an inexhaustible fountain.
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But in ordinary fiction, movies, etc, everything is smoothed out to seem plausible–villains made bad, heroes splendid, heroines glamorous, and so on, so that no one believes a word
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Creative power flourishes only when I am living in the present.
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I know that we live after death and again and again, not in the memory of our children, or as a mulch for trees and flowers, however poetic that may be, but looking passionately and egocentrically out of our eyes.
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And this fear (since the imagination is always creative) comes about presently and you slide down into the complete slump of several weeks or years – the very thing you dreaded and set your jaw against.
BRENDA UELAND