The only good teachers for you are those friends who love you, who think you are interesting, or very important, or wonderfully funny.
BRENDA UELANDScience and vivisection make no appeal to a theological idea, much less a political one.
More Brenda Ueland Quotes
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Why should we all use our creative power….? Because there is nothing that makes people so generous, joyful, lively, bold and compassionate, so indifferent to fighting and the accumulation of objects and money.
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Inspiration does not come like a blot, nor is it kinetic energy striving, but it comes to us slowly and quietly all the time.
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Listening is a magnetic and strange thing, a creative force. When we really listen to people there is an alternating current, and this recharges us so that we never get tired of each other. We are constantly being re-created.
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You must become aware of the richness in you and come to believe in it and know it is there, so that you can write opulently and with self-trust. If you once become aware of it and have faith in it, you will be all right.
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the only way to become a better writer is to become a better person.
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And least of all – which is so important, too – to those we do not love. But we should. Because listening is a magnetic and strange thing, a creative force…When we are listened to, it creates us, makes us unfold and expand. Ideas actually begin to grow within us and come to life.
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we like fixed rules because that ends thinking and we can rest. But there is no resting place down here.
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Families are great murderers of the creative impulsive, particularly husbands.
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Be bold, free, and truthful.
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… when I am really alone some power seems to grow in me. … Conjugality made me think of a three-legged race, where two people cannot go fast and keep tripping each other because their two legs are tied together.
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To have the external pressure of a job removed is very astonishing. Your own will is now your only motor and it has no horse-power.
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… the great artists … do not want security, egoistic or materialistic.
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Sometimes I think of life as a process where everybody is discouraging and taking everybody else down a peg or two.
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If we don’t act at all (express our imaginings either in work or a changing personality, so that we can learn and think again something better) we certainly rot.
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I know that we live after death and again and again, not in the memory of our children, or as a mulch for trees and flowers, however poetic that may be, but looking passionately and egocentrically out of our eyes.
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Orthodox criticism … is a murderer of talent. And because the most modest and sensitive people are the most talented, having the most imagination and sympathy, these are the first ones to get killed off.
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And so try listening. Listen to your wife, your husband, your father, your mother, your children, your friends; to those who love you and those who don’t, to those who bore you, to your enemies. It will work a small miracle. And perhaps a great one.
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Don’t think of yourself as an intestinal tract and tangle of nerves in the skull, that will not work unless you drink coffee.
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Write a true, careless, slovenly impulsive, honest diary every day of your life.
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Think of yourself as incandescent power, illuminated perhaps and forever talked to by God and his messengers.
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…at last I understood that writing was this: an impulse to share with other people a feeling or truth that I myself had.
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If you would shut your door against the children for an hour a day and say: ‘Mother is working on her five-act tragedy in blank verse!’ you would be surprised how they would respect you. They would probably all become playwrights.
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These people who are always briskly doing something and as busy as waltzing mice, they have little, sharp, staccato ideas, such as: “I see where I can make an annual cut of $3.47 in my meat budget.” But they have no slow, big ideas.
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The only way to love a person is…by listening to them and seeing and believing in the god, in the poet, in them. For by doing this, you keep the god and the poet alive and make it flourish.
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I found that many gifted people are so afraid of writing a poor story that they cannot summon the nerve to write a single sentence for months.
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Writing is the action of thinking, just as drawing is the action of seeing and composing music is the action of hearing.
BRENDA UELAND