I know that we live after death and again and again, not in the memory of our children, or as a mulch for trees and flowers, however poetic that may be, but looking passionately and egocentrically out of our eyes.
BRENDA UELANDWhy should we all use our creative power….? Because there is nothing that makes people so generous, joyful, lively, bold and compassionate, so indifferent to fighting and the accumulation of objects and money.
More Brenda Ueland Quotes
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And least of all – which is so important, too – to those we do not love. But we should. Because listening is a magnetic and strange thing, a creative force…When we are listened to, it creates us, makes us unfold and expand. Ideas actually begin to grow within us and come to life.
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Inspiration does not come like a blot, nor is it kinetic energy striving, but it comes to us slowly and quietly all the time.
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And so try listening. Listen to your wife, your husband, your father, your mother, your children, your friends; to those who love you and those who don’t, to those who bore you, to your enemies. It will work a small miracle. And perhaps a great one.
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Everybody is talented because everybody who is human has something to express.
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Science and vivisection make no appeal to a theological idea, much less a political one.
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There is that American pastime known as “kidding” – with the result that everyone is ashamed and hangdog about showing the slightest enthusiasm or passion or sincere feeling about anything.
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Why should we all use our creative power….? Because there is nothing that makes people so generous, joyful, lively, bold and compassionate, so indifferent to fighting and the accumulation of objects and money.
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You have to hold your audience in writing to the very end-much more than in talking, when people have to be polite and listen to you.
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You Do Not Know Is in You- an Inexhaustible Fountain of Ideas. Another reason for writing a diary is to discover that the ideas in you are an inexhaustible fountain.
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… the great artists … do not want security, egoistic or materialistic.
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…at last I understood that writing was this: an impulse to share with other people a feeling or truth that I myself had.
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But in ordinary fiction, movies, etc, everything is smoothed out to seem plausible–villains made bad, heroes splendid, heroines glamorous, and so on, so that no one believes a word
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I found that many gifted people are so afraid of writing a poor story that they cannot summon the nerve to write a single sentence for months.
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Creative listeners are those who want you to be recklessly yourself, even at your very worst, even vituperative, bad-tempered. They are laughing and just delighted with any manifestation of yourself, bad or good.
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These people who are always briskly doing something and as busy as waltzing mice, they have little, sharp, staccato ideas, such as: “I see where I can make an annual cut of $3.47 in my meat budget.” But they have no slow, big ideas.
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Now some people when they sit down to write and nothing special comes, no good ideas, are so frightened that they drink a lot of strong coffee to hurry them up, or smoke packages of cigarettes, or take drugs or get drunk.
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The only way to love a person is…by listening to them and seeing and believing in the god, in the poet, in them. For by doing this, you keep the god and the poet alive and make it flourish.
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The best way to know the Truth or Beauty is to try to express it.
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If you would shut your door against the children for an hour a day and say: ‘Mother is working on her five-act tragedy in blank verse!’ you would be surprised how they would respect you. They would probably all become playwrights.
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To have the external pressure of a job removed is very astonishing. Your own will is now your only motor and it has no horse-power.
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Advertising companies hire the very brightest, wittiest young people to write for them. Not one single sentence of it is worth repeating. Why? Because it wasn’t meant.
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Orthodox criticism … is a murderer of talent. And because the most modest and sensitive people are the most talented, having the most imagination and sympathy, these are the first ones to get killed off.
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And this fear (since the imagination is always creative) comes about presently and you slide down into the complete slump of several weeks or years – the very thing you dreaded and set your jaw against.
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It is so conceited and timid to be ashamed of one’s mistakes. Of course they are mistakes. Go on to the next.
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So remember these two things: you are talented and you are original. Be sure of that. I say this because self-trust is one of the very most important things in writing.
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Don’t think of yourself as an intestinal tract and tangle of nerves in the skull, that will not work unless you drink coffee.
BRENDA UELAND