When I go on a nostalgia trip it’s not aesthetic. For me it’s about trying to recapture the smell or the feeling of something that I’ve experienced in the past personally.
BRADFORD COXThe same people that always think I’m pretentious will think I’m pretentious, and the people who relate to me will continue to relate to me.
More Bradford Cox Quotes
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I’m not the guy in the dress with the blood and the unrequited gay whatever – which, according to my psychiatrist, my gayness is a form of narcissism but you’ll have to ask him about that.
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Musicians and artists are not… it’s not like politicians or something where you can’t really affect them.
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A song like “Walkabout”, it’s totally imitative. The goal of that song was to make people happy, and I’ve never really made a song to make people happy before.
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I think the younger kids need to realize there’s this whole forgotten 90s that people don’t really talk about.
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I want to build an audience that’s willing to follow us in whichever direction we might choose.
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That’s what culture is based on, the passing down of a certain narrative by imitation.
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I was trying to write a song based on a story in a random book of Puerto Rican short stories that I found in a thrift store.
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I’m obsessed with five different things a day. It’s like lightbulbs in a Christmas light chain.
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I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
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I need punk rock. It’s the medicine for me, but it’s bitter and sickening. If you don’t need it – if you’re happy and healthy – run toward that.
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I think people are intimidated by me, and I don’t know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.
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I’ve been going through a lot of… stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
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You’re not necessarily listening to the band and thinking about the lead singer, or the story of the group, or the context or the mythology of the group. You’re just listening to the song and whether or not it has a hook.
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For me, experimenting involves traditionalism.
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I like my solitude, and I’m a strong-willed person; I’m a very hard-to-be-around person sometimes, I guess.
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I see a lot of people doing an “’80s thing” who weren’t even born until the ’90s.
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I’ve been going through some personal things that have stirred up a lot of old wounds.
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Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
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What could be more experimental than me writing a straight up love song?
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You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
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When I got hit by the car, I became depressed. As a result, I’ve been on antidepressants and I feel like I have no sexuality left. People complain about that side effect, but I love it. I feel outside of society.
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All music is devotional, whether it’s devotion to products, face washes, creams, plastic. Everybody is devoted to something.
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You’re always as a musician trying to shock yourself or create music that’s maybe even too weird for your own taste.
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In reality, I’ve probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
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I’m a really friendly guy, I guess, and I really like meeting people.
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