Unfortunately it’s hard for me to be a fanboy for anything these days just because I see so much music.
BRADFORD COXI always write the first and last song of an album first, and then the middle just kind of happens.
More Bradford Cox Quotes
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I think the younger kids need to realize there’s this whole forgotten 90s that people don’t really talk about.
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I read a lot – surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I’ve loved since I was in high school.
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I always write the first and last song of an album first, and then the middle just kind of happens.
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All music is devotional, whether it’s devotion to products, face washes, creams, plastic. Everybody is devoted to something.
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The same people that always think I’m pretentious will think I’m pretentious, and the people who relate to me will continue to relate to me.
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I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
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Sometimes, I do have something to say, so I’ll sit there and I’ll write a song to someone – and then I just throw it away because it makes me cringe.
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You read about that Black Lips/Wavves fight as a spectator and you’re like, “Oh man, I’m gonna pick a team to be on!
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That’s what culture is based on, the passing down of a certain narrative by imitation.
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When I started having a couple of beers and loosening up, I realized how many years I had wasted going back to my hotel room alone when I could have gone and just had a beer or two.
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For me, experimenting involves traditionalism.
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When I got hit by the car, I became depressed. As a result, I’ve been on antidepressants and I feel like I have no sexuality left. People complain about that side effect, but I love it. I feel outside of society.
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I think people are intimidated by me, and I don’t know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.
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I don’t like the sound of my own voice. And, for people I don’t know, their impression of me is what they read on the internet, and they’re so far off a lot of the time.
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I’m not the guy in the dress with the blood and the unrequited gay whatever – which, according to my psychiatrist, my gayness is a form of narcissism but you’ll have to ask him about that.
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Unlike the rest of everyone I hang around with, I don’t drink, so I remember what happened after shows. And I have never hit on anyone after a show, I’m not that kind of person. Even if I was attracted to someone, I’d be too shy.
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When I go on a nostalgia trip it’s not aesthetic. For me it’s about trying to recapture the smell or the feeling of something that I’ve experienced in the past personally.
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I was trying to write a song based on a story in a random book of Puerto Rican short stories that I found in a thrift store.
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I see a lot of people doing an “’80s thing” who weren’t even born until the ’90s.
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I want to build an audience that’s willing to follow us in whichever direction we might choose.
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I’m a really friendly guy, I guess, and I really like meeting people.
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I like playing at public schools. I like when there’s more of a diverse audience. I’ll play wherever people want to hear my music, and I’ll be glad and grateful for the opportunity, but I’d rather not play for a bunch of white privileged kids.
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You gotta have friends, and it’s really hard to have friends that don’t operate on the same schedule as you or do the same kind of things you do, because they don’t understand it.
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The first thing I think I ever played in public, aside from singing in church, would have been – and this is a true story – when I was about nine or 10 years old, I was obsessed with Twin Peaks.
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Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
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I’m real critical of myself. I think a lot of what I’ve done is boring indie rock. I didn’t intend it to be that way, but somehow milk gets added to everything.
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