When money and fame happen too late, it’s like pouring kerosene over a fire of self-loathing.
BRADFORD COXI’ve been going through a lot of… stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
More Bradford Cox Quotes
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I’m obsessed with five different things a day. It’s like lightbulbs in a Christmas light chain.
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Talk to Arto Lindsay and I’m sure he’s tired of people asking him about DNA; he’s probably really into what he’s doing now, which is good stuff.
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A song like “Walkabout”, it’s totally imitative. The goal of that song was to make people happy, and I’ve never really made a song to make people happy before.
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Musicians and artists are not… it’s not like politicians or something where you can’t really affect them.
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
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People say ‘I don’t want to die alone!’ But you know what, honestly? I don’t want to die with a bunch of people looking at me.
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I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
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When I go on a nostalgia trip it’s not aesthetic. For me it’s about trying to recapture the smell or the feeling of something that I’ve experienced in the past personally.
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I read a lot – surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I’ve loved since I was in high school.
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Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they’re doing now.
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You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
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The first thing I think I ever played in public, aside from singing in church, would have been – and this is a true story – when I was about nine or 10 years old, I was obsessed with Twin Peaks.
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I like playing at public schools. I like when there’s more of a diverse audience. I’ll play wherever people want to hear my music, and I’ll be glad and grateful for the opportunity, but I’d rather not play for a bunch of white privileged kids.
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I think the younger kids need to realize there’s this whole forgotten 90s that people don’t really talk about.
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When I started having a couple of beers and loosening up, I realized how many years I had wasted going back to my hotel room alone when I could have gone and just had a beer or two.
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My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
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You’re always as a musician trying to shock yourself or create music that’s maybe even too weird for your own taste.
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The sober guy is always going to have this air of arrogance or self-righteousness, but it’s not my intention. I just knew that if I drank, I’d have a drinking problem.
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I don’t have anything to prove.
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I want to build an audience that’s willing to follow us in whichever direction we might choose.
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We didn’t have MTV, and I was desperate for something. You know, you’re young, you want something off the beaten path. And Twin Peaks was like, surrealism on network TV.
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I like my solitude, and I’m a strong-willed person; I’m a very hard-to-be-around person sometimes, I guess.
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I’m not meaning that in a disrespectful way; you go where people want to hear your music. So if that’s where people want to hear me play.
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I think people are intimidated by me, and I don’t know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.
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You gotta have friends, and it’s really hard to have friends that don’t operate on the same schedule as you or do the same kind of things you do, because they don’t understand it.
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They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
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