I don’t have anything to prove.
BRADFORD COXI’ve been going through some personal things that have stirred up a lot of old wounds.
More Bradford Cox Quotes
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A song like “Walkabout”, it’s totally imitative. The goal of that song was to make people happy, and I’ve never really made a song to make people happy before.
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Contrary to popular belief, maybe, I’m a really friendly guy, I guess, and I really like meeting people. And I’m not really super impressed even if you’re my hero.
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Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
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What could be more experimental than me writing a straight up love song?
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When money and fame happen too late, it’s like pouring kerosene over a fire of self-loathing.
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I don’t have the capacity to write stuff consciously. When I do, it’s really awful.
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I see a lot of people doing an “’80s thing” who weren’t even born until the ’90s.
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I think people are intimidated by me, and I don’t know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
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I want to build an audience that’s willing to follow us in whichever direction we might choose.
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I’m gonna put my two cents in as my status update on my Facebook page” or something. Not to sound like an anti-technology person, but it’s just a real drag that people live their lives that way.
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In reality, I’ve probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.
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Unfortunately it’s hard for me to be a fanboy for anything these days just because I see so much music.
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My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
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I’m a really friendly guy, I guess, and I really like meeting people.
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Sometimes, I do have something to say, so I’ll sit there and I’ll write a song to someone – and then I just throw it away because it makes me cringe.
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I’ve been going through some personal things that have stirred up a lot of old wounds.
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We didn’t have MTV, and I was desperate for something. You know, you’re young, you want something off the beaten path. And Twin Peaks was like, surrealism on network TV.
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I’m real critical of myself. I think a lot of what I’ve done is boring indie rock. I didn’t intend it to be that way, but somehow milk gets added to everything.
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I’m not meaning that in a disrespectful way; you go where people want to hear your music. So if that’s where people want to hear me play.
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You’re always as a musician trying to shock yourself or create music that’s maybe even too weird for your own taste.
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I’ve been going through a lot of… stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
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Talk to Arto Lindsay and I’m sure he’s tired of people asking him about DNA; he’s probably really into what he’s doing now, which is good stuff.
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You’re not necessarily listening to the band and thinking about the lead singer, or the story of the group, or the context or the mythology of the group. You’re just listening to the song and whether or not it has a hook.
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You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
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Unlike the rest of everyone I hang around with, I don’t drink, so I remember what happened after shows. And I have never hit on anyone after a show, I’m not that kind of person. Even if I was attracted to someone, I’d be too shy.
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