I was trying to write a song based on a story in a random book of Puerto Rican short stories that I found in a thrift store.
BRADFORD COXI’m not meaning that in a disrespectful way; you go where people want to hear your music. So if that’s where people want to hear me play.
More Bradford Cox Quotes
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I’m not meaning that in a disrespectful way; you go where people want to hear your music. So if that’s where people want to hear me play.
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You’re not necessarily listening to the band and thinking about the lead singer, or the story of the group, or the context or the mythology of the group. You’re just listening to the song and whether or not it has a hook.
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Musicians and artists are not… it’s not like politicians or something where you can’t really affect them.
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I think the younger kids need to realize there’s this whole forgotten 90s that people don’t really talk about.
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When money and fame happen too late, it’s like pouring kerosene over a fire of self-loathing.
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Unfortunately it’s hard for me to be a fanboy for anything these days just because I see so much music.
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We didn’t have MTV, and I was desperate for something. You know, you’re young, you want something off the beaten path. And Twin Peaks was like, surrealism on network TV.
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I’m obsessed with five different things a day. It’s like lightbulbs in a Christmas light chain.
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When I started having a couple of beers and loosening up, I realized how many years I had wasted going back to my hotel room alone when I could have gone and just had a beer or two.
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I see a lot of people doing an “’80s thing” who weren’t even born until the ’90s.
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I’m real critical of myself. I think a lot of what I’ve done is boring indie rock. I didn’t intend it to be that way, but somehow milk gets added to everything.
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Contrary to popular belief, maybe, I’m a really friendly guy, I guess, and I really like meeting people. And I’m not really super impressed even if you’re my hero.
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Unlike the rest of everyone I hang around with, I don’t drink, so I remember what happened after shows. And I have never hit on anyone after a show, I’m not that kind of person. Even if I was attracted to someone, I’d be too shy.
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All music is devotional, whether it’s devotion to products, face washes, creams, plastic. Everybody is devoted to something.
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My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
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I’m a really friendly guy, I guess, and I really like meeting people.
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I’m gonna put my two cents in as my status update on my Facebook page” or something. Not to sound like an anti-technology person, but it’s just a real drag that people live their lives that way.
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When I go on a nostalgia trip it’s not aesthetic. For me it’s about trying to recapture the smell or the feeling of something that I’ve experienced in the past personally.
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I don’t have anything to prove.
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I always write the first and last song of an album first, and then the middle just kind of happens.
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I’ve been going through a lot of… stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
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You read about that Black Lips/Wavves fight as a spectator and you’re like, “Oh man, I’m gonna pick a team to be on!
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I need punk rock. It’s the medicine for me, but it’s bitter and sickening. If you don’t need it – if you’re happy and healthy – run toward that.
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You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
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What could be more experimental than me writing a straight up love song?
BRADFORD COX