Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
BRADFORD COXIn reality, I’ve probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.
More Bradford Cox Quotes
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In reality, I’ve probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.
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I’ve been going through some personal things that have stirred up a lot of old wounds.
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My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
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You read about that Black Lips/Wavves fight as a spectator and you’re like, “Oh man, I’m gonna pick a team to be on!
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I think the younger kids need to realize there’s this whole forgotten 90s that people don’t really talk about.
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Talk to Arto Lindsay and I’m sure he’s tired of people asking him about DNA; he’s probably really into what he’s doing now, which is good stuff.
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I’m not the guy in the dress with the blood and the unrequited gay whatever – which, according to my psychiatrist, my gayness is a form of narcissism but you’ll have to ask him about that.
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You’re not necessarily listening to the band and thinking about the lead singer, or the story of the group, or the context or the mythology of the group. You’re just listening to the song and whether or not it has a hook.
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They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
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I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
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We all come back to our little worlds.
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We didn’t have MTV, and I was desperate for something. You know, you’re young, you want something off the beaten path. And Twin Peaks was like, surrealism on network TV.
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I don’t have the capacity to write stuff consciously. When I do, it’s really awful.
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All music is devotional, whether it’s devotion to products, face washes, creams, plastic. Everybody is devoted to something.
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People say ‘I don’t want to die alone!’ But you know what, honestly? I don’t want to die with a bunch of people looking at me.
BRADFORD COX