I think the younger kids need to realize there’s this whole forgotten 90s that people don’t really talk about.
BRADFORD COXYou think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
More Bradford Cox Quotes
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
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For me, experimenting involves traditionalism.
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I always write the first and last song of an album first, and then the middle just kind of happens.
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I’ve been going through a lot of… stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
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Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they’re doing now.
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I like playing at public schools. I like when there’s more of a diverse audience. I’ll play wherever people want to hear my music, and I’ll be glad and grateful for the opportunity, but I’d rather not play for a bunch of white privileged kids.
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I don’t like the sound of my own voice. And, for people I don’t know, their impression of me is what they read on the internet, and they’re so far off a lot of the time.
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You read about that Black Lips/Wavves fight as a spectator and you’re like, “Oh man, I’m gonna pick a team to be on!
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All music is devotional, whether it’s devotion to products, face washes, creams, plastic. Everybody is devoted to something.
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I’m not the guy in the dress with the blood and the unrequited gay whatever – which, according to my psychiatrist, my gayness is a form of narcissism but you’ll have to ask him about that.
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The sober guy is always going to have this air of arrogance or self-righteousness, but it’s not my intention. I just knew that if I drank, I’d have a drinking problem.
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I don’t have anything to prove.
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I’m not meaning that in a disrespectful way; you go where people want to hear your music. So if that’s where people want to hear me play.
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When I go on a nostalgia trip it’s not aesthetic. For me it’s about trying to recapture the smell or the feeling of something that I’ve experienced in the past personally.
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I’m obsessed with five different things a day. It’s like lightbulbs in a Christmas light chain.
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