I’m not meaning that in a disrespectful way; you go where people want to hear your music. So if that’s where people want to hear me play.
BRADFORD COXWe all come back to our little worlds.
More Bradford Cox Quotes
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I’m gonna put my two cents in as my status update on my Facebook page” or something. Not to sound like an anti-technology person, but it’s just a real drag that people live their lives that way.
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In reality, I’ve probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.
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I was trying to write a song based on a story in a random book of Puerto Rican short stories that I found in a thrift store.
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My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
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You’re not necessarily listening to the band and thinking about the lead singer, or the story of the group, or the context or the mythology of the group. You’re just listening to the song and whether or not it has a hook.
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I don’t have the capacity to write stuff consciously. When I do, it’s really awful.
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You read about that Black Lips/Wavves fight as a spectator and you’re like, “Oh man, I’m gonna pick a team to be on!
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Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they’re doing now.
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The first thing I think I ever played in public, aside from singing in church, would have been – and this is a true story – when I was about nine or 10 years old, I was obsessed with Twin Peaks.
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I always write the first and last song of an album first, and then the middle just kind of happens.
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The same people that always think I’m pretentious will think I’m pretentious, and the people who relate to me will continue to relate to me.
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I see a lot of people doing an “’80s thing” who weren’t even born until the ’90s.
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Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
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For me, experimenting involves traditionalism.
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You’re always as a musician trying to shock yourself or create music that’s maybe even too weird for your own taste.
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