I like my solitude, and I’m a strong-willed person; I’m a very hard-to-be-around person sometimes, I guess.
BRADFORD COXTalk to Arto Lindsay and I’m sure he’s tired of people asking him about DNA; he’s probably really into what he’s doing now, which is good stuff.
More Bradford Cox Quotes
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Contrary to popular belief, maybe, I’m a really friendly guy, I guess, and I really like meeting people. And I’m not really super impressed even if you’re my hero.
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The first thing I think I ever played in public, aside from singing in church, would have been – and this is a true story – when I was about nine or 10 years old, I was obsessed with Twin Peaks.
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For me, experimenting involves traditionalism.
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I need punk rock. It’s the medicine for me, but it’s bitter and sickening. If you don’t need it – if you’re happy and healthy – run toward that.
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I’ve been going through a lot of… stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
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I’m real critical of myself. I think a lot of what I’ve done is boring indie rock. I didn’t intend it to be that way, but somehow milk gets added to everything.
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I think people are intimidated by me, and I don’t know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
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When I go on a nostalgia trip it’s not aesthetic. For me it’s about trying to recapture the smell or the feeling of something that I’ve experienced in the past personally.
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You’re always as a musician trying to shock yourself or create music that’s maybe even too weird for your own taste.
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We didn’t have MTV, and I was desperate for something. You know, you’re young, you want something off the beaten path. And Twin Peaks was like, surrealism on network TV.
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When money and fame happen too late, it’s like pouring kerosene over a fire of self-loathing.
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Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they’re doing now.
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That’s what culture is based on, the passing down of a certain narrative by imitation.
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Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
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