We know that we need to explore desire in fiction – many say that the only way a story exists is that a character feels a strong desire – and nature is the place where creatures act on their desires in the most pure way imaginable.
In a regular class I don’t focus on the form, but I think that focus is helpful for brainstorming and coming up with ideas quickly, especially with autobiographical material.
I realized that I was writing about folks with lots of skills, especially fix-it skills and survival skills, who were nonetheless not doing well in the new-millennium America.
Writing is so wrapped up in ego, but with math one is just trying to get it right, although you’re often wrong. I think math helped me become a good critic of myself, come at writing a little less personally.
I’m very interested in people who are in a situation that needs a little puzzling out. The thing that gets me started on a story is a person in a tough situation.
I worked probably fewer jobs than most people, or fewer real soul-killing jobs than other people. I’ve been a typist, a typesetter, a keyliner, cappuccino-maker. I think I’ve been pretty lucky.
I figure that I’m always going to be fine, one way or another, but I do worry about other people who have difficulty moving from one world to the next. It’s the folks who are truly invested in their lives who have the hardest time with change.
I hope that my stories serve as explorations and help show readers how and why real-life women don’t always make the “correct” decisions in the face of economic and sexual troubles.
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