“My teeth have never been touched. Why did I tell you that? Knock on wood. I’ve got a few scars over the eyes, a couple on the chin, a few on the beak and one across the cheek. But my luck is running out.”

One of my biggest problems in life has been my inability to lie.

I gave up drinking lots of whiskey and began to practice yoga and meditation. As a result I am not dead.

I’ve always liked New York, as I like towns with an edge and New York has a European feel, so when I came to play music here in the ’80s it was a surprise to me.

When I was better known than her, she put my name in that tent. I was asked to do Celebrity Big Brother, but why should I? We live in an age where fame is not related to what you do.

I liked drawing and painting, because the only failure would be to listen to the doubters who wanted me to stop drawing and painting because ‘you aren’t going to make a living doing that.’ I liked looking in art books at the work of painters.

I loved moustaches. I used to draw myself with one. When I was 14, I was really into war and Van Gogh.

Bowie and McCartney arrived, and the biscuits and caviare started and I left immediately. I don’t like shouting across rooms, with people in shiny suits who look like used-car salesmen.

I’m going to get a pair of wire-snips, and I’ve also started a new campaign to have blank CDs on jukeboxes so you can play the silence.

I think that the mythology of Van Gogh’s life, and the beauty of his paintings, is unstoppable.

Failure is fantastic, because you meet yourself and get to know your limitations. This is how I express myself, and I can’t do it any other way.

The most challenging work I’ve seen of late is by The British Art Resistance. Their document, ‘A Call for Heroes in an Age of Cowards’, is apt in these days of witless chancers.

I did not like prizes at school. I didn’t like tests or exams, or the 11+, or O-levels. Later I hated B.A.s and M.A.s. The reason I hated them is that I don’t like being tested, failed or falsely praised by anyone.

It is an artist’s duty to be on the wrong end of the see-saw.

I’ve not been an admirer of contemporary music since punk rock went off the boil in 1977, but once a year I’ll listen to ‘Spiral Scratch’ by the Buzzcocks, or ‘Hippy Hippy Shake’ by the Swinging Blue Jeans. Otherwise, I can put up with Chopin or shakuhachi flute in the background.

We had the same kind of unemployment here as they had in the worst hit places in the North and you’re meant to be on a cushy wicket in the South.

My favourite things are jokes, friendliness and feeling comfortable.

Those who work standing … carpenters, sawyers, carvers, blacksmiths, masons … are liable to varicose veins … [because] the strain on the muscles is such that the circulation of the blood is retarded.

In fact when Sweet Honey was ten years old it was too big for me to run, and I knew it, but I ran it for another thirteen years because I couldn’t convince other people to really do it. And this year, I’m not running it.

In the short run, the market is a voting machine, but in the long run it is a weighing machine.

I count it as a major victory to not only be on a series that’s had a full season run, but to actually be on one that’s gotten picked up for a second season.

I had a good run here, fifteen years. That’s a great run. I’m not saying that I’m done in center field – if I could play there forever, I would. But I know that’s not reality, so I’m happy.

Running is perhaps the most fundamental of all sports, and it is economically the least costly to perform.

Running a real business is exacting, daunting, repetitive work. Even in Silicon Valley.

I was scared of the Bible – it seemed whenever I read it I got bad luck. Then I befriended a couple of Jesus’s disciples and I used to show them modern life – how to run the hot and cold taps and things like that. They seemed alright but it didn’t change my feelings about the Bible jinx.