“I liked drawing and painting, because the only failure would be to listen to the doubters who wanted me to stop drawing and painting because ‘you aren’t going to make a living doing that.’ I liked looking in art books at the work of painters.”

I agreed to co-found the Stuckists to be allowed to say what I wanted, and I left the Stuckists because I didn’t really want to be in them in the first place.

We are not actually in charge of life, yet we behave as if we are the masters of our own destiny. The realization of this fact is quite a hard one. The ridiculousness of our pomposity and presumption can only result in anger or humor.

We believe in a society in delusion, and if you’re awake and not deluded people tell you you’re mad. That’s why I’m a freak and they’re not. But I’m actually not.

My teeth have never been touched. Why did I tell you that? Knock on wood. I’ve got a few scars over the eyes, a couple on the chin, a few on the beak and one across the cheek. But my luck is running out.

I’ve dubbed myself as an amateur, not because I work in different field, but because I do what I do for love.

We tend to take a great deal for granted, because you feel like you’re going to live forever. It’s only if you lose a friend, or maybe have a near-death experience, [that] many events and people in your life suddenly attain real significance.

One of my biggest problems in life has been my inability to lie.

I gave up drinking lots of whiskey and began to practice yoga and meditation. As a result I am not dead.

I’ve always liked New York, as I like towns with an edge and New York has a European feel, so when I came to play music here in the ’80s it was a surprise to me.

When I was better known than her, she put my name in that tent. I was asked to do Celebrity Big Brother, but why should I? We live in an age where fame is not related to what you do.

I loved moustaches. I used to draw myself with one. When I was 14, I was really into war and Van Gogh.

Bowie and McCartney arrived, and the biscuits and caviare started and I left immediately. I don’t like shouting across rooms, with people in shiny suits who look like used-car salesmen.

I’m going to get a pair of wire-snips, and I’ve also started a new campaign to have blank CDs on jukeboxes so you can play the silence.

I think that the mythology of Van Gogh’s life, and the beauty of his paintings, is unstoppable.

Failure is fantastic, because you meet yourself and get to know your limitations. This is how I express myself, and I can’t do it any other way.

The most challenging work I’ve seen of late is by The British Art Resistance. Their document, ‘A Call for Heroes in an Age of Cowards’, is apt in these days of witless chancers.

I did gardening and cooking and drawing and reading to try take the pressure off the music – just being eclectic and putting the fun back in and bringing more innocence in again is really important.

I kind of do the drawing with the painting in mind, but it’s very hard to guess at a size or a color and all the colors around it and what it will really look like.

Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it.

One must always draw, draw with the eyes, when one cannot draw with a pencil.

Don’t leave inferences to be drawn when evidence can be presented.

All my drawings always sort of looked funny even if I was trying to do serious stuff and express myself about grim situations. It was always cartoony.

For the artist, drawing is discovery. And that is not just a slick phrase; it is quite literally true.

A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.