“If we master a bit of drawing, everything else is possible.”

Art is the residue of vision.

Whores are the most honest girls. They present the bill right away.

Only reality interests me now and I know I could spend the rest of my life in copying a chair.

The object of art is not to reproduce reality, but to create a reality of the same intensity.

In a fire, between a Rembrandt and a cat, I would save the cat.

The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.

When you look at art made by other people, you see what you need to see in it.

I don’t know who I am or who I was. I know it less than ever. I do and I don’t identify myself with myself. Everything is totally contradictory, but maybe I have remained exactly as I was as a small boy of twelve.

I paint and sculpt to get a grip on reality… to protect myself.

Taste for things of the past evolves, doesn’t it? What was a masterpiece a hundred years ago is no longer so today.

The one thing that fills me with enthusiasm is to try, despite everything, to get nearer to those visions that seem so hard to express.

If only someone else could paint what I see, it would be marvellous, because then I wouldnt have to paint at all.

I see something, find it marvelous, want to try and do it. Whether it fails or whether it comes off in the end becomes secondary. So long as I’ve learned something about why.

The head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull.

At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.

When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.

One must always draw, draw with the eyes, when one cannot draw with a pencil.

Don’t leave inferences to be drawn when evidence can be presented.

All my drawings always sort of looked funny even if I was trying to do serious stuff and express myself about grim situations. It was always cartoony.

For the artist, drawing is discovery. And that is not just a slick phrase; it is quite literally true.

A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.

There’s the artist’s intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn].

I’m never drawing the object itself; I’m only drawing a depiction of the object – a kind of crystallized symbol of it.

But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.