I liked drawing and painting, because the only failure would be to listen to the doubters who wanted me to stop drawing and painting because ‘you aren’t going to make a living doing that.’ I liked looking in art books at the work of painters.
BILLY CHILDISHThe most challenging work I’ve seen of late is by The British Art Resistance. Their document, ‘A Call for Heroes in an Age of Cowards’, is apt in these days of witless chancers.
More Billy Childish Quotes
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I agreed to co-found the Stuckists to be allowed to say what I wanted, and I left the Stuckists because I didn’t really want to be in them in the first place.
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I loved moustaches. I used to draw myself with one. When I was 14, I was really into war and Van Gogh.
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Bowie and McCartney arrived, and the biscuits and caviare started and I left immediately. I don’t like shouting across rooms, with people in shiny suits who look like used-car salesmen.
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I think that the mythology of Van Gogh’s life, and the beauty of his paintings, is unstoppable.
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We believe in a society in delusion, and if you’re awake and not deluded people tell you you’re mad. That’s why I’m a freak and they’re not. But I’m actually not.
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Before 1999, Tracey Emin and Sarah Lucas offered to get me exhibitions, but joining the Stuckists put a kaibosh on all that – because I wasn’t prepared to be controlled.
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The most challenging work I’ve seen of late is by The British Art Resistance. Their document, ‘A Call for Heroes in an Age of Cowards’, is apt in these days of witless chancers.
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Being a fan of authentic Dada, I find today’s art – what I call ‘Bankers’ Dada’ – mind-numbingly dull.
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I did not like prizes at school. I didn’t like tests or exams, or the 11+, or O-levels. Later I hated B.A.s and M.A.s. The reason I hated them is that I don’t like being tested, failed or falsely praised by anyone.
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We are not actually in charge of life, yet we behave as if we are the masters of our own destiny. The realization of this fact is quite a hard one. The ridiculousness of our pomposity and presumption can only result in anger or humor.
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I like being on the margins. You work better there.
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I’ve always liked New York, as I like towns with an edge and New York has a European feel, so when I came to play music here in the ’80s it was a surprise to me.
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I don’t spend a lot of time working if I can help it.
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It is an artist’s duty to be on the wrong end of the see-saw.
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Failure is fantastic, because you meet yourself and get to know your limitations. This is how I express myself, and I can’t do it any other way.
BILLY CHILDISH