You have to be as light as you can be, and you don’t have to be weighted down, stuck in your emotions and stuck in your body, stuck in your head. You just want to try and elevate something.
BILL MURRAYLike: ‘Don’t walk out there with one hand in your pocket unless there’s somethin’ in there you’re going to bring out.’ You gotta commit. You’ve gotta go out there and improvise and you’ve gotta be completely unafraid to die.
More Bill Murray Quotes
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That’s sort of why I got into acting. I realized the more fun I had, the better I did it. And I thought, that’s a job I could be proud of. It’s changed my life learning that, and it’s made me better at what I do.
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I was in the Virgin Islands once. I met a girl. We ate lobster, drank piña coladas. At sunset, we made love like sea otters. That was a pretty good day. Why couldn’t I get that day over and over and over?
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And I don’t like to work. I only like working when I’m working.
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Morocco is the greatest. I should be getting money from the Moroccans because I’m just telling everyone that it’s a wonderful place to go.
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Alcohol is really just the liquid version of Photoshop.
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You can tell how boring a person is by the lack of fear in their eyes when someone is flipping through photos on their phone.
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You’ll never be good if you don’t know that you are.
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One of the things I like about acting is that, in a funny way, I come back to myself.
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Chicks dig me because I rarely wear underwear, and when I do, it’s usually something unusual.
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The last thing I want is to be (in a film role) is obvious, direct and offensive.
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I don’t answer fan mail. I don’t have time for that. It’s like hundreds of thousands of people who think they’re going to become millionaires getting autographs from movie actors. I don’t have time for those idiots. I’ve got stuff to do.
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I don’t feel like it’s pressure. It’s more of an obligation – not to entertain or be funny, but to have a certain levity. I mean, there’s got to be a lightness in your leg.
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If you have a good script, that’s what gets you involved. It’s harder to write a good screenplay than to find something.
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I really don’t know what’s going to come out of my mouth.
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I’d sort of gone through some sort of spiritual change in the late 70s where I sort of saw there was some other life to live. It changed the way that I worked just having a different presence and a different tension.
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When you did the job, you thought you were just trying to amuse your friends who are all on the job. I’m just trying to make the sound guy laugh, the script supervisor.
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This is not a dress rehearsal; this is your life.
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I’m not an ungenerous person; I don’t resent it. It’s just sort of a head-scratcher.
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Movie acting suits me because I only need to be good for ninety seconds at a time.
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Awards are meaningless to me, and I have nothing but disdain for anyone who actively campaigns to get one.
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Groundhog Day’ was one of the greatest scripts ever written. It didn’t even get nominated for an Academy Award.
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Back then, when a movie came out and people saw you on the street, their reaction was so supercharged that it was scary. It would frighten other people. It used to really rattle me.
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I go home and stay there. I wash and scrub up each day, and that’s it. One month I actually grew a moustache, just so I could say that I’d done something.
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Grab this day by the neck and kiss it.
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My first movie, I got nominated for a Canadian Oscar-for Meatballs. For MEATBALLS. And who am I up against? George C. Scott. So he wins the award and I stand up and go, ‘That’s it-let’s get the hell outta here.’
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I don’t know what my fans are going to think. It’s definitely not what they’re used to from me.
BILL MURRAY