If New York is the Big Apple, tonight Hollywood is the Big Nipple.
BERNARDO BERTOLUCCII was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
More Bernardo Bertolucci Quotes
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
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I left the ending ambiguous, because that is the way life is.
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
BERNARDO BERTOLUCCI -
The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
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Commuting in a wheelchair is not easy. I live in a very old part of Rome. These cobbles everywhere… terrible! In London, it is the same. Every pavement is uneven.
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You live day by day. You can’t build your life.
BERNARDO BERTOLUCCI -
A name? Oh, Jesus Christ. Ah, God, I’ve been called by a million names all my life. I don’t want a name. I’m better off with a grunt or a groan for a name.
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
BERNARDO BERTOLUCCI -
I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
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I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures.
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
BERNARDO BERTOLUCCI