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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?

Bernardo Bertolucci

After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
BERNARDO BERTOLUCCI

Love Politics Truth Years
Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
BERNARDO BERTOLUCCI

Life Reconstruct Someone Special Stories Thinking
English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
BERNARDO BERTOLUCCI

Country Dialogue Italian More Need Needs Nothing
I left the ending ambiguous, because that is the way life is.
BERNARDO BERTOLUCCI

Ambiguous Ending Life Way
I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
BERNARDO BERTOLUCCI

Cameras Each Poem Reality Return Time
I haven’t made a movie for a while, but I’ve watched a lot. It’s my major waste of time. I like to work, but also to be waiting for work.
BERNARDO BERTOLUCCI

Mademwatch Time Waiting Waste Work
The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
BERNARDO BERTOLUCCI

Authoritarian Children Feminist Moments People
I am still against any kind of censorship. It’s a subject in my life that has been very important.
BERNARDO BERTOLUCCI

Censorship Important Kind Subject
I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
BERNARDO BERTOLUCCI

Father Normal Writing Young
For example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
BERNARDO BERTOLUCCI

Ahead Cinema Enriching Example Hollywood Imperialisytic
I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.
BERNARDO BERTOLUCCI

Cinema End Fascism Incredible Influence Kind
To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
BERNARDO BERTOLUCCI

Abandoned Feels Technology
I’m no longer interested in making political films. There’s something old-fashioned about them.
BERNARDO BERTOLUCCI

People Political Reality
A dolly move is a moral commitment.
BERNARDO BERTOLUCCI

Commitment Dolly Moral Moving
I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
BERNARDO BERTOLUCCI

Hollywood Phases Thinking
I don’t film messages. I let the post office take care of those.
BERNARDO BERTOLUCCI

Care Message Office

The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?

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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?

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