I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
BERNARDO BERTOLUCCIAfter many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
More Bernardo Bertolucci Quotes
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
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I left the ending ambiguous, because that is the way life is.
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What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
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The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
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A monoculture is not only Hollywood, but Americans trying to export democracy.
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Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
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Young people now don’t care for politics. It isn’t present in life as it used to be. And increasingly I like films which reflect present-day reality.
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I don’t film messages. I let the post office take care of those.
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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
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I am still against any kind of censorship. It’s a subject in my life that has been very important.
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You live day by day. You can’t build your life.
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
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