After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
BERNARDO BERTOLUCCIAfter many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
More Bernardo Bertolucci Quotes
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
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English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
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I like to be in a huis clos, as the French say – in one place. It’s something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
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I am still against any kind of censorship. It’s a subject in my life that has been very important.
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I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.
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I’m no longer interested in making political films. There’s something old-fashioned about them.
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A monoculture is not only Hollywood, but Americans trying to export democracy.
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I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures.
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I don’t film messages. I let the post office take care of those.
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Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
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Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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