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You live day by day. You can’t build your life.

Bernardo Bertolucci

I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
BERNARDO BERTOLUCCI

Father Normal Writing Young
I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
BERNARDO BERTOLUCCI

Based Cameras Eye Imitate Two
I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.
BERNARDO BERTOLUCCI

Cinema End Fascism Incredible Influence Kind
You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
BERNARDO BERTOLUCCI

Soccer Thinking Women
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
BERNARDO BERTOLUCCI

Cinema Hollywood Only Past Trying Unique
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
BERNARDO BERTOLUCCI

Cinema Country Seduced Style Thinking Vague
Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
BERNARDO BERTOLUCCI

Adult Children Hands Hearts Masturbating
If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
BERNARDO BERTOLUCCI

Country Political Shooting Thinking
The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
BERNARDO BERTOLUCCI

Changed Feminist Important Society Thing Women
I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
BERNARDO BERTOLUCCI

Character Learning Privilege Reality Thinking
I left the ending ambiguous, because that is the way life is.
BERNARDO BERTOLUCCI

Ambiguous Ending Life Way
There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
BERNARDO BERTOLUCCI

Chance Digital Welcome
What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
BERNARDO BERTOLUCCI

Cinema Director Dreamers Revolution
English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
BERNARDO BERTOLUCCI

Country Dialogue Italian More Need Needs Nothing
What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
BERNARDO BERTOLUCCI

Autobiographical Future Important People Sleep Tomorrow
I like to be in a huis clos, as the French say – in one place. It’s something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!
BERNARDO BERTOLUCCI

Bits Claustrophobia Country Immediately Something

You live day by day. You can’t build your life.

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You live day by day. You can’t build your life.

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