To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
BERNARDO BERTOLUCCIYou live day by day. You can’t build your life.
More Bernardo Bertolucci Quotes
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I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
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If New York is the Big Apple, tonight Hollywood is the Big Nipple.
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I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
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Young people now don’t care for politics. It isn’t present in life as it used to be. And increasingly I like films which reflect present-day reality.
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I don’t film messages. I let the post office take care of those.
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Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
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I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures.
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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
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I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
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New York has always embraced me.
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The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
BERNARDO BERTOLUCCI