I’m no longer interested in making political films. There’s something old-fashioned about them.
BERNARDO BERTOLUCCII left the ending ambiguous, because that is the way life is.
More Bernardo Bertolucci Quotes
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New York has always embraced me.
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You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
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I like to be in a huis clos, as the French say – in one place. It’s something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!
BERNARDO BERTOLUCCI -
The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
BERNARDO BERTOLUCCI -
You live day by day. You can’t build your life.
BERNARDO BERTOLUCCI -
After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
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I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
BERNARDO BERTOLUCCI -
There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
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I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
BERNARDO BERTOLUCCI -
I haven’t made a movie for a while, but I’ve watched a lot. It’s my major waste of time. I like to work, but also to be waiting for work.
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As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
BERNARDO BERTOLUCCI