The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
BERNARDO BERTOLUCCISometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
More Bernardo Bertolucci Quotes
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There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
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I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
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After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
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This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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Young people now don’t care for politics. It isn’t present in life as it used to be. And increasingly I like films which reflect present-day reality.
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
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As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
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The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
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You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
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For example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
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A dolly move is a moral commitment.
BERNARDO BERTOLUCCI