Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
BERNARDO BERTOLUCCISometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
More Bernardo Bertolucci Quotes
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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You live day by day. You can’t build your life.
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New York has always embraced me.
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I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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A name? Oh, Jesus Christ. Ah, God, I’ve been called by a million names all my life. I don’t want a name. I’m better off with a grunt or a groan for a name.
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I haven’t made a movie for a while, but I’ve watched a lot. It’s my major waste of time. I like to work, but also to be waiting for work.
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I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.
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You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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I left the ending ambiguous, because that is the way life is.
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I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
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English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
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After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
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As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
BERNARDO BERTOLUCCI