Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
BERNARDO BERTOLUCCIWhat I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
More Bernardo Bertolucci Quotes
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I don’t film messages. I let the post office take care of those.
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Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
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I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
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This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
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After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
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I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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I am still against any kind of censorship. It’s a subject in my life that has been very important.
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You live day by day. You can’t build your life.
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For example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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I like to be in a huis clos, as the French say – in one place. It’s something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!
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You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
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I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
BERNARDO BERTOLUCCI