What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
BERNARDO BERTOLUCCIThe movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
More Bernardo Bertolucci Quotes
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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
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This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
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I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
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As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
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You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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For example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
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There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
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The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
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I am still against any kind of censorship. It’s a subject in my life that has been very important.
BERNARDO BERTOLUCCI