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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.

Bernardo Bertolucci

I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
BERNARDO BERTOLUCCI

Cinema Country Seduced Style Thinking Vague
For example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
BERNARDO BERTOLUCCI

Ahead Cinema Enriching Example Hollywood Imperialisytic
Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
BERNARDO BERTOLUCCI

Children Choices Kind Sadness
A monoculture is not only Hollywood, but Americans trying to export democracy.
BERNARDO BERTOLUCCI

Democracy Hollywood Trying
I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
BERNARDO BERTOLUCCI

Father Normal Writing Young
To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
BERNARDO BERTOLUCCI

Abandoned Feels Technology
There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
BERNARDO BERTOLUCCI

Cinema Cocktail Important Mixture Music Result
The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
BERNARDO BERTOLUCCI

Authoritarian Children Feminist Moments People
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
BERNARDO BERTOLUCCI

Cinema Hollywood Only Past Trying Unique
I am still against any kind of censorship. It’s a subject in my life that has been very important.
BERNARDO BERTOLUCCI

Censorship Important Kind Subject
I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
BERNARDO BERTOLUCCI

Cinema Completely Homage Love Movement Value
What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
BERNARDO BERTOLUCCI

Cinema Director Dreamers Revolution
Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
BERNARDO BERTOLUCCI

Life Reconstruct Someone Special Stories Thinking
English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
BERNARDO BERTOLUCCI

Country Dialogue Italian More Need Needs Nothing
A name? Oh, Jesus Christ. Ah, God, I’ve been called by a million names all my life. I don’t want a name. I’m better off with a grunt or a groan for a name.
BERNARDO BERTOLUCCI

Better Jesus Life Million Names Self
The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
BERNARDO BERTOLUCCI

Beginning Cinema Movies Reinvented

I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.

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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.

Related Topics

Popular Authors

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