I’ll confess right here that I secretly wish I’d have drawn a strip about a little boy with a fake tiger, going for adventures throughout the universe in spaceships of his imagination.
BERKELEY BREATHEDCartooning is about deconstruction: you gotta tear something down to make a joke.
More Berkeley Breathed Quotes
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Some of us find our lives abridged even before the paperback comes out.
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Dear Lord, I’ve been asked, nay commanded, to thank Thee for the Christmas turkey before us…
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I can say that even in the midst of my most cynical comic stripping: Opus shone through with a bit of heart, anchoring the ugly proceedings with a comforting pull of emotion.
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Cartooning is about deconstruction: you gotta tear something down to make a joke.
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I drew the last image ever of Opus at midnight while Puccini was playing and I got rather stupid. Thirty years. A bit like saying goodbye to a child – which is ironic because I was never, never sentimental about him as many of his fans were.
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Irony can elude the genius among us, sometimes.
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Keep in mind that in 1985, I had a potential readership of over 50 million Americans. At that time, a good portion of those were under 30.
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The digital world has allowed me a connection with my reader that I’d never had before. I didn’t meet the people who read my material.
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I don’t get fan mail. It disappeared with the digital revolution.
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My kids hear me behind my door, giggling like an idiot, and they roll their eyes at the blatant indignity of it all.
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I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
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He comic page is dying; I didn’t want to go with it.
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I will go to my grave in a state of abject endless fascination that we all have the capacity to become emotionally involved with a personality that doesn’t exist.
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I could draw Bloom County with my nose and pay my cleaning lady to write it, and I’d bet I wouldn’t lose 10% of my papers over the next twenty years. Such is the nature of comic-strips. Once established, their half-life is usually more than nuclear waste.
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Doonesbury had the requisite and overwhelming influence in 1980, as it did on any college cartoonist who was paying attention, of course.
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