It’s not terribly dignified to have anyone seeing one laugh at one’s own material.
BERKELEY BREATHEDIt’s not terribly dignified to have anyone seeing one laugh at one’s own material.
BERKELEY BREATHEDIt was a huge challenge to learn digital painting well enough so that computers don’t pop into mind when one sees one.
BERKELEY BREATHEDThat’s the conundrum of cartoon stripping, as opposed to political cartoons. When your anger is the driving force of your drawing hand, failure follows. The anger is OK, but it has to serve the interests of the heart, frankly.
BERKELEY BREATHEDKeep in mind that in 1985, I had a potential readership of over 50 million Americans. At that time, a good portion of those were under 30.
BERKELEY BREATHEDThe digital world has allowed me a connection with my reader that I’d never had before. I didn’t meet the people who read my material.
BERKELEY BREATHEDI’ll confess right here that I secretly wish I’d have drawn a strip about a little boy with a fake tiger, going for adventures throughout the universe in spaceships of his imagination.
BERKELEY BREATHEDA mind is a terrible thing. All this evolution nonsense is making me feel like a complete APE!
BERKELEY BREATHEDDear Lord, I’ve been asked, nay commanded, to thank Thee for the Christmas turkey before us…
BERKELEY BREATHEDI will go to my grave in a state of abject endless fascination that we all have the capacity to become emotionally involved with a personality that doesn’t exist.
BERKELEY BREATHEDIt’s never too late to have a happy childhood.
BERKELEY BREATHEDThe fan letters were mostly answered by professional people that’d done them for a living. And I didn’t have any daily connection with their response to my work. I didn’t have a relationship with my audience. And every artist should have it.
BERKELEY BREATHEDIf you’ll read the subtext for many of those old strips, you’ll find the heart of an old-fashioned Libertarian. And I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
BERKELEY BREATHEDCartooning is about deconstruction: you gotta tear something down to make a joke.
BERKELEY BREATHEDIf I could have drawn a cat yelling for lasagna every day for 15 years and have them pay me $30 million to do so, I would have.
BERKELEY BREATHEDI’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
BERKELEY BREATHEDDoonesbury had the requisite and overwhelming influence in 1980, as it did on any college cartoonist who was paying attention, of course.
BERKELEY BREATHED