If you’ll read the subtext for many of those old strips, you’ll find the heart of an old-fashioned Libertarian. And I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
BERKELEY BREATHEDKeep in mind that in 1985, I had a potential readership of over 50 million Americans. At that time, a good portion of those were under 30.
More Berkeley Breathed Quotes
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I will go to my grave in a state of abject endless fascination that we all have the capacity to become emotionally involved with a personality that doesn’t exist.
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I started as a news photographer at the University Of Texas’ Daily Texan.
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Steve Dallas…a frat-boy lawyer who I knew in school. He’s never written me. I suspect he was shot by an annoyed girlfriend, which has saved me many legal fees.
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If I could have drawn a cat yelling for lasagna every day for 15 years and have them pay me $30 million to do so, I would have.
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I paint digitally now. A pity, in some ways, as the biggest price one pays is that you no longer have a finished piece of physical art to hang on a wall. I miss that terribly.
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It was a huge challenge to learn digital painting well enough so that computers don’t pop into mind when one sees one.
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Cartooning is about deconstruction: you gotta tear something down to make a joke.
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I can say that even in the midst of my most cynical comic stripping: Opus shone through with a bit of heart, anchoring the ugly proceedings with a comforting pull of emotion.
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Harry Potter’ shouldn’t be children’s first experience with suspense and plot turns.
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I don’t get fan mail. It disappeared with the digital revolution.
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Irony can elude the genius among us, sometimes.
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I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
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The fan letters were mostly answered by professional people that’d done them for a living. And I didn’t have any daily connection with their response to my work. I didn’t have a relationship with my audience. And every artist should have it.
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I drew the last image ever of Opus at midnight while Puccini was playing and I got rather stupid. Thirty years. A bit like saying goodbye to a child – which is ironic because I was never, never sentimental about him as many of his fans were.
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Doonesbury had the requisite and overwhelming influence in 1980, as it did on any college cartoonist who was paying attention, of course.
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