You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
BEN KINGSLEYThere is always something about the villains that I’m able to play, quote unquote, that isn’t villainous.
More Ben Kingsley Quotes
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I’m very in love with the fact that the camera is revolted by acting and loves behaviour.
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If your best friend has stolen your girlfriend, it does become life and death.
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In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
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But comedy I’d love to do as much as humanly possible.
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Working in film, if you work with great directors, you learn that after every take you must let go. Sitting with my wife at the Academy Awards, we both let the moment just go.
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But filming is good for you, because the crew isn’t allowed to laugh. You can’t get addicted to getting the laugh.
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I would like to make it known, on this program, loud and clear, that I would absolutely embrace with all five of my arms being a Bond villain.
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Millions of children are disempowered and we need to empower them.
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You don’t go to a town to present the play and have applause at the end of it, but that’s benign conquest. It’s a glorious way of exploring other landscapes and other cultures in a very life-affirming way.
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I’ve never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I’m deeply fortunate.
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When Attenborough asked me to do Gandhi it was almost like stepping off one boat and stepping on to another, even though both boats are going at 60 miles per hour.
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I do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.
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My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.
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There have not been any troughs as regards my work. There’s never been a trough of my assurance.
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The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
BEN KINGSLEY







