Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It’s impossible trying to act it; it just happens. It’s a very important question: no acting.
BEN KINGSLEYThe number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
More Ben Kingsley Quotes
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Well, it’s wonderful to be identified strongly with my work.
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That hunger of the flesh, that longing for ease, that terror of incarceration, that insistence on tribal honour being obeyed: all of that exists, and it exists everywhere.
BEN KINGSLEY -
If you are a libertine, if you’re not given to long-term faithful relationships, you tend to project your behavior onto everyone else. It’s like the person who knows they’re not trustworthy; they tend to mistrust everyone else.
BEN KINGSLEY -
I think that various styles and methods and approaches are an invention of people who don’t understand the process of acting and who try very hard to label things.
BEN KINGSLEY -
Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It’s harder.
BEN KINGSLEY -
They’re a very strange lot actors, very strange people.
BEN KINGSLEY -
Hamlet is an astonishing intelligence.
BEN KINGSLEY -
It’s Sir Ben. I’ve not been a Mister for two years.
BEN KINGSLEY -
The trick is to try and justify every word on the page and make sure my character is the man who would say that.
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All the great writers root their characters in true human behaviour.
BEN KINGSLEY -
John Lennon and Ringo Starr liked my songs. I used to write songs and they heard me sing songs on stage in London.
BEN KINGSLEY -
The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!
BEN KINGSLEY -
If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.
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I always try to find something I admire about every character I play.
BEN KINGSLEY -
I’m so dependent on reacting to the other actors on the set, and to the director. I’m very responsive. I react. And I treasure the energy that reaction gives.
BEN KINGSLEY