I’ve met quite a number of people in my career, but I do have an extraordinary memory. And even though they may drift into the periphery of my memory, I can bring them right back when I need them.
BEN KINGSLEYThe number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
More Ben Kingsley Quotes
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There was one titanic guiding light on the film set, and I was in the presence of a true Mahatma, in the deepest and most profound sense of the word.
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I’m very in love with the fact that the camera is revolted by acting and loves behaviour.
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There are some directors, lesser in confidence or skill, who make the actor feel very uncomfortable because you feel you’re auditioning for them, every day, and that’s a terrible feeling on the set.
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I think Romeo and Juliet is uplifting. That’s how much a son wishes to avenge his father. That is how much two young people can love each other.
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All the great writers root their characters in true human behaviour.
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If it’s a really well written villain, he probably has more layers than the archetypal good person. So that would be very attractive to an actor. No one chooses to be a villain; it’s usually a reaction to something else.
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Millions of children are disempowered and we need to empower them.
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As an actor there’s no autonomy, unless you’re prepared to risk the possibility of starving.
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I always try to find something I admire about every character I play.
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John Lennon and Ringo Starr liked my songs. I used to write songs and they heard me sing songs on stage in London.
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In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
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In England, it’s now Sir Ben. Mister has just disappeared. It’s not even on my passport anymore. They’ve taken Mister away from me.
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In cinema, the leading player is the director.
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You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
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The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
BEN KINGSLEY






