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In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.

Ben Kingsley

The trick is to try and justify every word on the page and make sure my character is the man who would say that.
BEN KINGSLEY

Character Men Trying
The leaping Jaguar on the bonnet, to me, makes it look more like a hunter than something that is getting away. It’s a hunter. Richard III definitely would have had a chauffeur driven Jaguar MK X.
BEN KINGSLEY

Hunters Jaguar Looks
I’m so dependent on reacting to the other actors on the set, and to the director. I’m very responsive. I react. And I treasure the energy that reaction gives.
BEN KINGSLEY

Directors Energy Giving
Well, it’s wonderful to be identified strongly with my work.
BEN KINGSLEY

Identified Wells Wonderful Work
Hamlet is an astonishing intelligence.
BEN KINGSLEY

Astonishing Hamlet Intelligence
My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.
BEN KINGSLEY

Arrive Film Lines Special
I’m open to any project, but my joyful projects are those through which I can say something and through which I can speak to the an audience of people in the world, and I can be that vehicle through which something can be said, I find that entirely thrilling and joyful.
BEN KINGSLEY

People Speak World
I try and reduce myself to an almost blank slate and hope to God that I am creative.
BEN KINGSLEY

Creative Creativity Trying
With narration, you have to be very accurate with your voice. It’s a good exercise to do.
BEN KINGSLEY

Accurate Exercise Voice
There was one titanic guiding light on the film set, and I was in the presence of a true Mahatma, in the deepest and most profound sense of the word.
BEN KINGSLEY

Film Light Profound
I never read anything in print about me. It started with not reading reviews and with the greatest respect to my publicist here, I never read interviews. I was there when I gave them. I never read reviews. I was there when I did the jobs – so I’m totally immune. I live in a bubble.
BEN KINGSLEY

Interview Jobs Reading
If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.
BEN KINGSLEY

Choices Long Wish
I think Romeo and Juliet is uplifting. That’s how much a son wishes to avenge his father. That is how much two young people can love each other.
BEN KINGSLEY

Father Son Uplifting
Millions of children are disempowered and we need to empower them.
BEN KINGSLEY

Children Empowering Needs
I hope I’m able to achieve more on camera through stillness, through focus, through being quite careful to do less on every take, rather than more. So I’m reducing, rather than adding. Which hopefully is a good exercise. That’s what I’d like to do.
BEN KINGSLEY

Camera Exercise Focus
I’ve met quite a number of people in my career, but I do have an extraordinary memory. And even though they may drift into the periphery of my memory, I can bring them right back when I need them.
BEN KINGSLEY

Careers Memories Numbers

In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.

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In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.

Related Topics

Popular Authors

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