Hopefully, as I get older in the business, I make my choices more accurately, and I perhaps know from either the script or the first meeting that it isn’t going to work.
BEN KINGSLEYYou cannot learn a lesson of profound forgiveness unless you understand what it is to be wounded and forgive that which has wounded you.
More Ben Kingsley Quotes
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One of the greatest things drama can do, at it’s best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.
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I think that you can fall into bad habits with comedy… It’s a tightrope to stay true to the character, true to the irony, and allow the irony to happen.
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It’s Sir Ben. I’ve not been a Mister for two years.
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I honestly have no strategy whatsoever. I’m waiting for that script to pop through the letterbox and completely surprise me.
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I’m open to any project, but my joyful projects are those through which I can say something and through which I can speak to the an audience of people in the world, and I can be that vehicle through which something can be said, I find that entirely thrilling and joyful.
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There are some directors, lesser in confidence or skill, who make the actor feel very uncomfortable because you feel you’re auditioning for them, every day, and that’s a terrible feeling on the set.
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I think that most actors, and they’re a very strange lot actors, very strange people, but I think that they attempt to keep in touch with the child.
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The many many imponderables come together when a film opens and for all sorts of reasons it may or may not succeed.
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The trick is to try and justify every word on the page and make sure my character is the man who would say that.
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I’m so dependent on reacting to the other actors on the set, and to the director. I’m very responsive. I react. And I treasure the energy that reaction gives.
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We are adjusters. We empathize, we change rhythm and above all we listen to our fellow actors-if they’re good actors.
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I’ve met quite a number of people in my career, but I do have an extraordinary memory. And even though they may drift into the periphery of my memory, I can bring them right back when I need them.
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That hunger of the flesh, that longing for ease, that terror of incarceration, that insistence on tribal honour being obeyed: all of that exists, and it exists everywhere.
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But comedy I’d love to do as much as humanly possible.
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With narration, you have to be very accurate with your voice. It’s a good exercise to do.
BEN KINGSLEY